Curated fine art with a past and a point of view.
shop the collectionCurrent Obsessions
These are the works we’re a little obsessed with right now. If you don't know where to start, start here.
Chatter over the New Heir
LaVerne Nelson Black
Indianer zu Pferd
August Macke
The Man of Confusion
Paul Klee
Man's Face
Arnold Peter Weisz-Kubínčan
Nocturne
Childe Hassam
September Moonrise
Childe Hassam
Figures
Jankel Adler
Two Nudes in a Room
Ernst Ludwig Kirchner
Verdure - Flemish School (17th century)
Unknown Artist
Baigneuses sur la Rance
Émile Othon Friesz
Paysage en Provence
Émile Othon Friesz
Masseïda nue allongée sur un divan
Théophile Alexandre Steinlen
Explore by interior style
For people who love the irregular, the hand-built, and intentionally rough forms. Spaces that feel shaped by use, not by trends. Perfection is not allowed.
Pastoral scenes, soft light, domestic calm. Art that lingers on gardens, windows, and the romance of everyday life. A visual exhale.
Symbolic, intuitive, and otherworldly. Art that feels channeled or divinely intuited — spirit paintings, theosophical color, non-objective form.
Wide skies, frontier landscapes, colonial portraiture. The visual mythology of romanticized American history.
Portraits, interiors, objects with a past. Art that looks like it’s lived a long life before it found your wall. Put it in a vintage frame.
Soft drama, candlelight, longing. Art that feels intimate and slightly theatrical, like a scene from a Baudelaire novel.
Flat perspectives, tapestry motifs, medieval panel painting. From monastic restraint to jewel-toned maximalism.
Graphic forms, sculptural compositions, strong silhouettes. Art that plays with structure but leaves room for warmth.
Soft abstraction, muted landscapes, quiet botanicals. Warm tones, natural light, nothing competing for attention.
Dutch still life, sottobosco, vanitas. Art that looks best in candlelight.






If you Like Niche + Strange:
Before electric light, the sky was a completely different experience. Even in the daytime works, you can feel that same attention — these painters were documenting a sky most of us don’t see now. There’s an almost elegiac quality to it.
For centuries, women in art were the subject — painted by men, posed by men, interpreted through the male gaze. These works reverse that orientation entirely. Different artists, different eras, all painted by women.
Red is the longest wavelength on the visible spectrum, advancing toward the eye while cooler colors recede — knowledge that artists have understood this for centuries. A single red element in a predominantly cool composition creates a focal accent that organizes everything else around it.
The parallel society of 19th century Paris — courtesans, cabaret performers, artists. This milieu produced a disproportionate amount of the most important work of the period, mostly because the painters were part of it.
The nude has been central to art for centuries—studied, stylized, and endlessly reinterpreted. These are the works that foreground the body as both subject and idea.
Intellectual longing, melancholy, decay. The romanticization of intellectual suffering has a long artistic lineage: Rembrandt's scholars, Caspar David Friedrich's solitary figures, Byron dying glamorously abroad. The aesthetic borrowed its visual vocabulary from Northern European painting and the old master palette.
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