Departure from Three Points
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A cluster of overlapping forms against a saturated teal-green ground: a large dark green shape with jagged edges at the left, a brown angular mass at center, a row of alternating blue and white half-circles suggesting a scalloped or saw-tooth pattern, and a blue quadrilateral at the lower right. The composition is dense and interlocking, with the shapes pressing against each other. The teal background is flat and even, giving the whole painting a poster-like clarity. The title, Departure from Three Points, suggests a geometric origin for the composition, though the forms themselves are organic and irregular. Oil or tempera on canvas.