Abstract + Geometric — the grid and its discontents
The early 20th century decision to stop painting what things look like and start painting how things feel. Kandinsky, Malevich, Mondrian and their inheritors broke composition down to color, line, and form, and non-objective painting became the new standard.
Bildnis eines Asiaten
Paul Klee
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Figures
Jankel Adler
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Komposition (1938)
Otto Freundlich
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Komposition in Blau
Otto Freundlich
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Untitled (Horse)
Olga Vladimirovna Rozanova
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Duettino der Passanten
Paul Klee
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Flower of Samuel Warrand (1862)
Georgiana Houghton
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The Flower and Fruit of Henry Lenny (1861)
Georgiana Houghton
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The Ten Largest, No. 8, Adulthood (1907)
Hilma af Klint
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Flourishing (1934)
Paul Klee
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