Paintings where you can feel the speed of the hand: loaded brushes, gestural marks, impasto thick enough to cast shadows. Expressionism, Fauvism, and abstraction, united by the physical urgency of the brushwork itself. Work where the physical energy of the making is the subject.
Die Geliebte
Ernst Ludwig Kirchner
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Garten im Orient (1937)
Paul Klee
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Gezeichnetes Mädchen
Paul Klee
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Untitled (c. 1938)
Paul Klee
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Westfälische Landschaft
Christian Rohlfs
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Tulpen
Christian Rohlfs
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Nude with raised arms
Karl Hofer
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Untitled VI
Henry Lyman Saÿen
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Composition (Round and Oval Forms)
Adolf Hölzel
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Der Gelb-Grune
Paul Klee
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Seated Woman
Jankel Adler
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